Charlie Lovell-Jones

PROGRAM OF MUSIC

As well as the link to our on-line TicketSource page, tickets are also available from
The Topsham Bookshop (open Mon-Sat 10.30am-1pm and 2pm-5pm).

Programme:

Paganini, Caprice No. 21

Bach, G minor Adagio and Fugue

Jörg Widmann, Etude No. 3

Sibelius, Humoresques Op. 89 Nos. 1 and 2

(28 mins)

Interval

Sibelius, Danse Champêtre Op. 106 No. 2

Chopin arr. Ysaye, Ballade No. 1 Op. 23

Sibelius, Novelette Op. 102

Elgar, Violin Sonata Op. 82

Sibelius, Danse Champêtre No. 3 Op. 106

Bartok, Rhapsody No. 1

(65 mins)

Biography

Charlie Lovell-Jones debuted at a sold-out Royal Festival Hall debut aged 15. He has
since soloed with orchestras including the BBC Philharmonic, English Chamber, Noord
Nederlands, Sinfonietta Cracovia, RTÉ Concert, Sendai Philharmonic and Yamagata Symphony,
broadcasting on television and radio. In 2017, BBCNOW premiered Charlie’s composition for
violin, soprano and orchestra, Cariad Cyntaf, with Rebecca Evans and himself as soloists. He has
worked with conductors including John Wilson, Edward Gardner, Sir Mark Elder, Rumon Gamba,
Peter Oundjian, Daniela Candillari, Louis Lohraseb, Ken Takaseki, Moritz Gnann, and Michael
Seal.


Charlie was the youngest-ever member of the John Wilson Orchestra, aged 14. At the
BBC Proms 2021, he debuted as concertmaster of Wilson’s multi-award-winning Sinfonia of
London (SoL), with whom he has recorded many critically-acclaimed CDs, including his debut
concerto recording of the Walton Violin Concerto, which released in February 2025. Charlie has
found success in several international competitions, including BBC Young Musician 2016, and the
Sendai 2019, Shanghai Isaac Stern 2020, and Joachim 2021 International Competitions.
Charlie was a Christ Church Prize Scholar at Oxford University, where he graduated in 2020 with a Gibbs Prize in Music. He received a Bicentenary Scholarship at the Royal Academy of Music, and graduated in 2022 with the Strings Postgraduate Prize. In the same year, he released his debut recital album on Linn Records as part of the RAM Bicentenary Series.

He won the Hattori Foundation, Harriet Cohen, John Fussell, Drake Calleja and Countess of Munster Trusts’ awards, and is a J&A Beare Violin Society Artist. Charlie studied for over ten years with Rodney
Friend MBE, and from 2022-2024, at the Yale School of Music with Augustin Hadelich.
Charlie has enjoyed masterclasses with Ida Haendel, Anne-Sophie Mutter, Vadim Repin,
Menahem Praessler, Pinchas Zukerman, James Ehnes, Leonidas Kavakos, Tai Murray, and with
Ida Kavafian at the Lincoln Center.

He has also coached with Ani Kavafian, Boris Slutsky, and cellist of the Brentano Quartet, Nina Lee.
Charlie is in regular demand nationally and internationally, and has soloed at venues
including Smith Square Hall, Birmingham Symphony Hall, the National Concert Hall Dublin, the
Snape Maltings, the Wigmore Hall and the Konzerthaus Berlin. His 2024-25 season includes
further SoL recordings and concerts, performances of Bach, Brahms, Britten, Bruch, Sibelius,
Tchaikovsky, Vivaldi, and Vaughan-Williams Concertos, and several duo and trio recitals including
his debut at the Festspiele Mecklenburg-Vorpommern.

Charlie plays a fine 1777 Giovanni Battista Guadagnini violin, generously loaned by a
benefactor

Luke Anderson

As well as the link to our on-line TicketSource page, tickets are also available from
The Topsham Bookshop (open Mon-Sat 10.30am-1pm and 2pm-5pm).

Programme
Variations on a Theme by Mozart Op. 9 – Fernando Sor

Gnossienne No. 1 – Eric Satie (arr. Roland Dyens)

Songe Capricorne – Roland Dyens 

La Catedral – Ausutin Barrios 

i. Preludio Saudade

ii. Andante Religioso

iii. Allegro Solemne

Romantico – Astor Piazzolla

Invierno – Astor Piazzolla (arr. Sergio Assad)

Por Una Cabeza – Carlos Gardel (arr. Yamandu Costa)

Biography

Luke Anderson is a passionate guitarist whose musical interests span an eclectic range of genres, from classical compositions to traditional Scottish melodies. A versatile artist, he thrives as a performer, educator, and collaborator, bringing his music to diverse audiences and projects.

A recent graduate of the Royal Conservatoire of Scotland (RCS), Luke holds a Bachelor of Music degree (2023) and a Masters degree (2024). Throughout this time Luke has had the privilege to study with Professor Allan Neave and Ian Watt.

As a performer, Luke’s recent concert highlights include; Glasgow Cathedral, Edinburgh St. Giles’ Cathedral, St. Andrew’s University Laidlaw and St. Paul’s

Cathedral Dundee. This year, Luke performed for the Treasury Music Society in London’s Whitehall as part of a series of concerts taking place in Scotland House. Most notably, Luke had the opportunity to represent RCS playing a selection of pieces at the renowned Wigmore Hall. His most recent performance highlight was Scottish Opera’s 2024 production of Don Pasquale.

Max Rosen Trio

PROGRAMME OF MUSIC

As well as the link to our on-line TicketSource page, tickets are also available from
The Topsham Bookshop (open Mon-Sat 10.30am-1pm and 2pm-5pm).

Programme

The trio will be playing a range of different jazz standards that vary in style in genre, as well some original compositions and arrangements by Max Rosen, including a ballad written by Max entitled ‘All Along’. There may be some soul and funk in there too!

Biography

The Max Rosen Trio is an exciting and vibrant new jazz trio lead by Manchester pianist Max Rosen. The trio consists of the timeless combination: Max Rosen on keys, Peter Hartley on bass and George Bingham on drums. They showcase a range of different music that fits broadly under the ‘jazz’ umbrella. The trio performs original compositions and arrangements as well as the classic jazz standards that make up the Great American Songbook. They have performed around Manchester on the jazz circuit and have captivated audiences with their unique twist in playing this kind of music.

Sehyogue Aulakh

PROGRAMME OF MUSIC

As well as the link to our on-line TicketSource page, tickets are also available from
The Topsham Bookshop (open Mon-Sat 10.30am-1pm and 2pm-5pm).

Programme (tbc)

Michi – Keiko Abe

Violin Partita – Bach

Saman – Olafur Arnalds

Mourning Dove Sonnet – Christopher Deane

Ghost Garden – Adam Hopper

Iktsuarpok – Casey Cangelosi

Strive to be Happy – Ivan Trevino

Abaca – Guillaume Le Picard

Tesseract – Perrez

Biography

Sehyogue Aulakh is a percussionist currently studying for her postgraduate degree at the Royal Birmingham Conservatoire, she studies with Toby Kearney, Henry Baldwin, Aidy Spillet, Matt Hardy, Andy Herbert, Grahame King, Marney O’Sullivan, Owen Gunnell, Chris Bradley and Sophie Hastings.

Sehyogue freelances across the UK and has worked with award-winning ensemble Engines Orchestra, Bournemouth Symphony Orchestra, Chineke! Orchestra and National Orchestras for All. She is currently on a training scheme with Birmingham Royal Ballet and has also played alongside the Welsh National Opera, Orchestra of the Swan, Birmingham Contemporary Music Group and the CBSO percussion section. Sehyogue enjoys playing a variety of music and has recently produced her own project – Suthering, she especially enjoys contemporary, experimental art and mixed media work.

Sehyogue is generously supported by the Universal Music UK Sound Foundation, Cherubim Music Trust and the Royal Philharmonic Society. She has previously been supported by Awards for Young Musicians, London Philharmonic Orchestra, Plymouth Musicians Accord and the EMI Sound Foundation.

Aside from music, Sehyogue enjoys swimming, hiking, cooking and gardening (although she is slightly at war with the slugs!)

Julian Chan

Julian Chan

As well as the link to our on-line TicketSource page, tickets are also available from
The Topsham Bookshop (open Mon-Sat 10.30am-1pm and 2pm-5pm).

Programme

Liszt Deux légendes, S,175 (1863)

I. St François d’Assie: La prédication auz oiseaux

II. St François de Paule marchant sur les flots

Bach Suite in F minor, BWV 823 (ca. 1715)

I. Prélude en Rondeau

II. Sarabande

III. Gigue

Messiaen Cantéyodjayâ (1949)

INTERMISSION

Alkan 25 Preludes, Op. 31 (1844

Biography

Rapidly developing a reputation as one of the most innovative pianists of his
generation, Julian Chan has given performances at numerous prestigious venues
across the UK, including Wigmore Hall, Southbank Centre, St John’s Smith Square,
and the Sheldonian Theatre. Performing music by a particularly diverse range of
composers, he has given alluring recitals featuring works by figures from Sweelinck
to Messiaen, from Alkan to Rzewski, unifying these various styles in a captivating
manner.


Julian has had masterclasses with numerous pianists of international
renown, including Stephen Hough, Imogen Cooper, Jeremy Menuhin, Melvyn Tan,
Bobby Chen, and Joanna MacGregor; distinguished conductors with whom he has
performed, both as a soloist and as part of the acclaimed Manson Ensemble,
include Jessica Cottis, Dominic Grier, Ryan Wigglesworth, Ben Glassberg, Jonathan
Berman, and John Gibbons.


Recently, Julian has been awarded First Prize and Sonata Prize at the
Nanyang International Music Competition, Singapore, Second Prize at the Jazeps
Vitols International Piano Competition, Latvia, First Prize at the Norah Sande Award,
and First Prize at the Coulsdon and Purley Festival with his performance of
Rachmaninoff’s Third Piano Concerto.


A passionate composer and performer of new music, Julian has collaborated
with eminent composers such as Hans Abrahamsen, Anna Thorvaldsdottir, Jörg
Widmann, Deborah Pritchard, Elena Langer, and Peter Seabourne.


Julian is currently recipient of the Aud Jebsen Fellowship at the Royal
Academy of Music, where he studied with Ian Fountain and Michael Dussek. He had
his first book of compositions published at age 6, earning him the title of Malaysia’s
Youngest Composer.